VITAL WEEKLY REVIEW 608: TEN SECOND COMPILATION 2(CDR by Kif Recordings)Seventy-one tracks in twenty-five minutes. That is, if I'm not mistaken ten seconds per track. Kif Recordings asked, through internet, people to send in music that lasted ten seconds - one of those internet projects. You can play it, and before you read from the insert band name and track title, the next one is already almost over. Is there a point to all of this, I wonder? I could spend more time thinking about that than actually listening to this and still don't work out a proper answer. So maybe it's better to glance the various names and marvel at all the new names, silly names and silly titles and funny music. It's not all noise that shines here, but it prevails, in all its variations and deviations. Rather than trying to point out the point in all of this, I must admit it's all much more interesting that one would expect. A pity that some are only very short and one wish to hear more, in some cases ten seconds is still quite long. (FdW)
VITAL WEEKLY REVIEW 623: KIF_SOUP RMX VERSUS COMPILATION (CDR by Kif Recordings)
I'm a little uncertain as to just what is going on here, even to the title!- back in VW608 a review of Ten Seconds Compilation appeared- some 71 - 10 second tracks from various artists- this CDr *seems* to be "a hybrid" from two such compilations - where each was remixed - by Animal Machine / Cygore & Eraritjaritjaka / Animal Machine as the blurb says "remix 1 vs. remix 2 = SOUP" do you follow? If so you are probably doing better than me. KIF - Keep it frozen "is a non -profit music label , distributor specialized in micro & mini tracks recordings" responsible for this very interesting reduction / deconstruction of the compilations.
I'm not fond of compilations as I'm averse to serial events like a many coursed meal - for one the cutlery is confusing - here the result is a soup- everything is present in the resultant 20:39 - so only a spoon is required- it is a
mixture of many lo-fi noise sources at a fairly ambient texture which makes for a coherent context in which the pieces now separated from their teleological menu co-exist - re-act - and play as a homogenous yet rhizomic whole. A long, slow implosion of sounds. The important thing here then is the re-generation by the co-operative forces at work which makes something both in its audio presence and conceptualization significant and very worthwhile. BTW KIF are accepting contributions for comp 3- but I will look forward more to the hopeful synthesized soup 2.
(jliat)
VITAL WEEKLY REVIEW 628: ANIMAL MACHINE "HOMO HOMINI LUPUS" CDr by KIF Recoding)
SWAMPS UP NOSTRILS "DIGITANA" (CDr by KIF Recoding)
Homo homini lupus is a roman proverb - people act like wolves to each other - as in are cruel, for never are humans happier than killing each other apart perhaps from working out new ways to do this. Giving such a title to 4 tracks of essentially harsh noise provokes the comment that here noise once again criticizes what others call civilization - which is also its "music" - its organization of sound, in particular western music, an organization which is responsible for the world we find ourselves in. A worry is that using animals pejoratively misses the point of the extent of man's fall from grace, man invented punishment- not animals - how much this is to be taken seriously? - should we be serious at all- for noise's amateurism and in-competence denies appropriation into an academia which if no longer literally throws humans to wolves - by way of amusement - "justified" as punishment - does so in far more spectacular and devious ways. Modernism's programme of absolute
organization - (of everything including sound which it defines as music) generated paranoia - post-modernity's schizophrenia (look at the proliferation of groups and labels in *noise* - often the same people - *same people* multiple personalities).. is the overcoming of modernity. But I explain too much? Digitania has what appears to be 6 tracks - beginning like an experimental work based on sine and other wave forms, beats pulses and silences - interrupted by swathes of noise which are themselves interrupted. Interesting but more acoustically/ethically problematic (modern!) than the ideological deconstruction of AM. (jliat)
VITAL WEEKLY REVIEW :
http://www. vitalweekly. net/podcast. html
KIF_ DATA ROSSIA.ORG:
http://lj.rossia.org/users/glebo/59313.html
INDIEVILLE REVIEW JAN09: Various Artists - "Kif Soup" CD (remixed by Eraritjaritjaka and Animal Machine)
To explain - this is a remixed version of both volumes of kifrecording's ten seconds compilation,
which culled ten-second segments of sound from dozens of different denizens of the harsh noise scene.
Although a few 'bigger' names pop up, the majority of the contributors to the compilation are hideously obscure -
bizarrely named solo projects who have popped up on the occasional CDR split (at most).
Meshing the disparate sounds together are Eraritjaritjaka and kif boss Animal Machine,
and they've done an excellent job of transforming this abrasive attack into an unquestionably cohesive whole.
What makes Kif Soup work is the variety of sounds that are employed - since this culls source material from such a wide span of places,
it becomes an impressively substantial work of abrasive experimentation.
However, the 'cooking' done by the prime remixers makes it less abrupt and random than your average microtrack compilation.
Ultimately, this is worth a look for noise fans - after all, can you ever have too many Polish 3” CDRs in your collection?
http://www.indieville.com/reviews/2009/01/kifsoup.htm
INDIEVILLE REVIEW SEP08: Animal Machine -"Nuclear Carnage" CDR
Nuclear Carnage is Animal Machine's latest album for Polish "global noise" label Keep It Frozen Recordings.
What we get is forty-four minutes of dense, harsh noise.
Animal Machine, who I promise you are not named after the Vines song of the same name,
hail from the Masovia region of eastern Poland and populate this CDR with the high squall of harsh feedback.
The chaos is unrelenting and powerful, evoking - quite frankly - a sense of nuclear carnage.
Apparently recorded direct to laptop, these sonic outbursts blow at you forcefully and never quit.
They shift and stutter at times, but remain strong for the disc's full duration.
Imagine yourself standing alone in an abandoned field as a red and yellow storm blows past you continuously. You should be knocked over, but somehow you remain planted to the ground. Every once in awhile, a barn flies through the air and is gutted upon hitting the earth. Nuclear Carnage is the soundtrack to that, and a must for fans of unadulterated, abrasive noise.
http://www.indieville.com/reviews/sep08/animalmachine.htm
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